I'm going to blend it![]()
It's gone already. Was it anyone on here...?![]()
Canon > 5DIII | 17-40 L | 35 L | 24-105 L | 70-200 f/2.8 IS II L | 100 L | 400 f/2.8 IS II L | 600 EX-RT | 1.4x TC III | 2x TC III
I'm going to blend it![]()
Dont worry he'll never find the kitchen.
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
Not true, I'll just listen for the nagging and follow the noise.
I'd say there are a lot more then four, Jonathan's Photo and Video Warehouse down here in Dunedin as two, one was on display (there going to have to clean the glass now), and I saw Ken's has them in stock too.
Canon EOS 60D Gripped | Canon EOS 500D | Sigma 70-200 F2.8 EX DG OS HSM | Sigma 50mm F1.4 EX DG HSM | Canon EF-S 18-55mm IS | Gitzo Basalt Explorer 3 | Canon Speedlite 600EX & 430EX | Lightroom 4 |
1DX + 40mm pancake!
http://www.canonrumors.com/forum/index.php?topic=7807.0
Canon 5DIII | 7D | 24mm f1.4L II | 17-40mm f4L | 50mm f1.2L | 85mm f1.2L II | 70-200mm f2.8L II | 300mm f2.8L IS II | 1.4x III | 2x III | 580EX II
Whilst no doubt any of us Canon shooters would love this camera - what real world benefits will it offer those of us who are not looking for massive FPS rates? I never run on high speed, normally relying on the 3fps settings. I did used to love my 1Ds2, but for twice the price more or less of a 5D3 and 6 times the price of a 7D, well, the law of diminishing returns becomes very obvious. Could buy a whole lotta glass for that!.
That being said, I very nearly ordered the 1Dx as opposed to the 5D3!. But then sense overtook my decision making ineptitude and the 5D3 arrived.
You can buy two 5d3's for a 1dx...
If you dont need the fps or the better focus tracking then consider the build quality and sealing, the gigabit Ethernet and the improved high ISO noise etc.
Its not a toy meant for everyone, its a top end pro body targeted at sports.
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
It was not supposed to be a rhetorical question there RJD, more a musing. We all want the best on offer, but the reality is that most of us would not suffer immensely shooting with a 600D apart from frame rates and the crop factor, which is mitigated with lens choice. I never require massive frame rates anymore, lost interest in that sort of work ages ago.
Yes, high ISO performance will be better - although how much is yet to really be quantified. If the 7D replacement turns out to be a 1.3 crop factor, that could start to come to the party on noise too maybe? Build quality is a definite difference - my 1Ds2 was a pretty well built unit. Still, I am happy I went to the 5D3 as opposed to spending twice as much on the 1Dx. I really doubt I would have seen any real benefit for what I am wanting, and that leaves me plenty of money to upgrade in a couple of generations should I feel the urge to.
Early indications are that it may have the best high ISO performance in the market. The Nikon D4 is slightly worse than the D3S as Nikon deliberately used a more selective colour filter array to improve colour accuracy at the expense of efficiency. Canon continue to use less selective colour filters so its likely to be a fraction of a stop better than the D3S.
Nikon D600 and a bag full of prime goodness..
Canon 5DIII | 7D | 24mm f1.4L II | 17-40mm f4L | 50mm f1.2L | 85mm f1.2L II | 70-200mm f2.8L II | 300mm f2.8L IS II | 1.4x III | 2x III | 580EX II
Nikon will still have the best low ISO dynamic range and better shadow noise etc.
1Dx will be a fantastic sports camera.
You have to wonder how many people with 1Ds's will want to buy it though, and how many people with 1dmk4's/1dmk3's want to spend a lot more for the same 'level' of body .
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
There is a big question here, and one that most people forget about when looking at different cameras - will the differences have significant, if any, effect in the real world? Review sites often are the most guilty of this. A fraction of a stop better noise control? Might be easy enough to see when deliberately trying to show this, however, in the real world? Same can be said of Nikons lower iso performance gains. Sure, they are there, and able to be demonstrated in testing. But what about real world use? And what differences are actually important? Back in the film days, my EOS 1V and 3 never produced anything like my Pentax 645 did. But, that was a dramatically different system. Will the differences between full frame sensor cameras really be that distinct, or one really noticeable to the anorak wearing brigade who know all the technical details, and discuss these at length whilst never actually taking good shots, or enjoying the result of their photography?
Someone , somewhere is sitting at a news desk picking the back page main image.
At the other end of the internet are 3 dozen photogs all shooting the same thing.
That gigabit Ethernet is probably more important..
..but we move things on incrementally, the 1dx isnt that much better than the d3s, which isnt that much better than the 1dsmkIII... etc
But over the last 5-10 years things have moved on a huge amount , could you even think about shooting film over ASA1000?
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
No one in the history of art, music or creativity ever made a quality contribution using 'good gear'. Did they?
The entire art world has been driven by new paints, techniques,processes, the photographic world has had the same in its much briefer history.
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
Because people who no nothing about the technical side of cameras need an argument against those who do.
Canon EOS 60D Gripped | Canon EOS 500D | Sigma 70-200 F2.8 EX DG OS HSM | Sigma 50mm F1.4 EX DG HSM | Canon EF-S 18-55mm IS | Gitzo Basalt Explorer 3 | Canon Speedlite 600EX & 430EX | Lightroom 4 |
Canon > 5DIII | 17-40 L | 35 L | 24-105 L | 70-200 f/2.8 IS II L | 100 L | 400 f/2.8 IS II L | 600 EX-RT | 1.4x TC III | 2x TC III
People who are pro photog's earn a living because they take great photos, not because they have a couple of 1D bodies and a big collection 'L' lenses (although it helps).
Canon 5DIII | 7D | 24mm f1.4L II | 17-40mm f4L | 50mm f1.2L | 85mm f1.2L II | 70-200mm f2.8L II | 300mm f2.8L IS II | 1.4x III | 2x III | 580EX II
You know you're a pro tog for real when you dont own any cameras yourself...
Canon 5DmkII, 400L, Canon 17-40L, Canon 24mmf3.5 TS-E, Canon 70-200f2.8L, Tamron 90mm SP AF Di f2.8 Macro, Sigma 50mmf1.4 EX HSM, Nissin Di866 flash, Manfrotto 190xprob & Markins Q3t head, Lee filters, Lowepro Flipside 400AW, Yong Nuo rf 602 triggers.
Canon 5DIII | 7D | 24mm f1.4L II | 17-40mm f4L | 50mm f1.2L | 85mm f1.2L II | 70-200mm f2.8L II | 300mm f2.8L IS II | 1.4x III | 2x III | 580EX II
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